Writers Capture the Audience at Blog Carnivals

November 11, 2009

Color Celebration, Copyright © 2009 Jade Leone BlackwaterAre you a writer?  Do you blog?  If you answered yes, then it’s time to step right up and join the carnival!  …a Blog Carnival, that is!

What’s a blog carnival?

A blog carnival is a regular publication hosted at rotating locations online.  Each publication for a blog carnival celebrates a specific topic with a cache of links to blog posts, articles, photographs, podcasts, and other creative media which relate to the blog carnival topic.

What’s the benefit to writers?

If you are a writer, the blog carnival is a fantastic opportunity to capture a broad swath of the world wide audience online.  Popular blog carnivals attract hundreds if not thousands of readers.  The location of the publication changes with each issue which attracts new readers every month.

How do you participate?

Participation is simple: create a blog post related to the blog carnival topic.  Publish your creation at your blog or website.  Submit the link to your creation to the blog carnival host / coordinator.  Once the blog carnival is published, create an announcement at your blog with a link to the issue.

Why the excitement about blog carnivals?

Blog carnivals give writers the opportunity to network with other creative professionals and attract new readership.  I am one of three coordinators for The Festival of the Trees, a monthly blog carnival which has been celebrating trees and forests since 2006 with over 40 issues online.

This month The Festival of the Trees is hosted by one of the original founders, Dave Bonta of Plummer’s Hollow, Pennsylvania.  If you are new to blog carnivals, The Festival of the Trees is a great place to get started.

SUBMIT TO THE FESTIVAL OF THE TREES:

Create a tree-related blog entry, post it online, and send us the link. It’s that simple!

Deadline (Festival #42): November 29, 2009

Email links to: bontasaurus [at] yahoo [dot] com with “Festival of the Trees” in the subject line, or use the Contact Form.

Details: (http://festivalofthetrees.wordpress.com)

Host blog: Via Negativa (http://www.vianegativa.us)

*     *     *

Questions?  Contact Jade Blackwater at trees [at] brainripples [dot] com.


NaNoWriMo Inspiration Kickoff

November 3, 2009

A little encouragement can go a long way.  National Novel Writing Month (NaNoWriMo) is upon us for November 2009, and many writers are settling in for a healthy 30 days of Butt In Chair, Fingers On Keyboard (BICFOK).

If you’re a writer in need of a little inspiration, here are two easy places to stop in for a (quick) fresh, hot cup of time-to-get-writing:

~ Words from Wednesday ~

Writer, editor, and home cook Luisa Weiss of The Wednesday Chef serves up encouragement and inspiration alongside autumn recipes.

Head over to Luisa Weiss’ blog and enjoy a slice from her post: “Leap and the Net Will Appear.”  While you’re there, you may want to grab a knife and fork – this is one savory blog!

~ Art Appreciation ~

Canadian artist Linda Lovisa of Natural Transitions Art Studio offers her perspective as a visual artist inspired by the natural world.

Visit the Brainripples blog for an exclusive Feature Artist Interview with Linda Lovisa offering the unique insights of a self-taught artist.

~ Writing with Results ~

Remember not to linger too long!  This month I encourage everyone with a writing goal to push aside the distractions and achieve tangible results.  It doesn’t have to be a novel:

Write and finish a short story.  Polish up your poetry and submit to your favorite literary journals.  Query some concepts with your favorite magazines and write the articles.  Bid for new freelance projects.  Review your journals for those strokes of brilliance which were never realized, and create something complete.

Whatever you choose, set a goal and plan to embrace it.  We invite you to share your goals and/or links to your creations here in the comments!


“Who Put the ‘Urban’ in Urban Fantasy?”

October 26, 2009

When my first book showed promise in various competitions, I became firmly entrenched in my decision to make the switch from writer to author, even if it meant I’d be forever ruined for reading for innocent enjoyment.

Oddly enough, the aspect of this business that most confounded me was genre. I couldn’t decide what niche the book fell into. At one point, I actually yelled at myself for not knowing what I wrote and for not writing a story that fit neatly into a genre. (That was before I learned how wonderful cross-genre stories can be, and how unique my story was because it wasn’t cookie-cutter genre fiction.)

So I followed some advice I read on the internet (always a wise thing to do, right?) and I walked into the bookstore, decided where my book would fit in, and even pushed a space between the books on the shelf to make room for mine. It would be right there with the books I enjoyed as a reader and thusly I narrowed it down to two genres: paranormal romance and urban fantasy.

What’s the difference between the two genres? In the beginning, I had absolutely no idea because the books I enjoyed were found in the same section of the book store. While I gradually learned there are rules for each genre—and like every other rule, there are exceptions, loopholes, and trapdoors—back then, I used a more practical approach: it came down to my choice of footwear that day. If I was wearing leather boots, I called my story urban fantasy.

The term urban fantasy was coined to characterize fantasy stories taking place in modern times (that is, not the country-bumpkined, unurbanized, and undeveloped good ole days before dragons became extinct.) Most I’ve read are city-based. So is my story, but that’s only because I live in a rural location. Instead of dragons, I have corn fields and wild turkeys and a pack of biker frogs that take over my frog pond every March for their egg-laying orgies. How cool is that?

Not very.

I get stuck behind tractors when the dirty jerks won’t pull over. I have near-death experiences with tri-axle coal trucks that lumber like oily mammoths on the charge. I get mad when a neighbor is noisy. Shut up! This is the country! Don’t junk it up with your I-used-to-live-in-town-and-I-can-talk-loud-at-ten-o’clock-at-night-if-I-want-to attitude!

And nobody—I mean nobody—in their right mind will write a story about this place. Considering you can’t pick up a wi-fi signal anywhere, there are no good coffee shops around, and I’ve never seen a single sidewalk in this twenty-three tractor town, there’s really nothing to do.

Then again, there’s no stop lights, either. The only bonus.

I mean, come on. What could happen here? A few years ago at the beginning of my research and subsequent enlightenment, I wrote a sarcastic piece and used this blurb as an example:


Internet-surfing heroine Martha Underfelderkoch discovers a sinister plot while illegally trespassing on coal breaker grounds. While speeding on her ATV through a stripping pit, she notices a strange residue. It’s not coal dirt. It’s much more evil than that.

Are the coal companies trying to open a portal to Hell?

Martha must battle incredible odds. If she wants to save the region, she’ll have to go head to head with the local Chamber of Commerce, a group of leviathan ancients who despise anything new. She’ll have to avoid a pack of Molly Maguire wannabes who always manage to show up when she least wants it. And she’ll have to figure out how to stop the coal drill from breaking the last barrier between man and Hell before the phone company drops her internet service again. . .


I promiised myself the day I read a country-based urban fantasy would be the day I accidentally-on-purpose stepped on my reading glasses. We read to escape, and some of us read more than others.

Thank goodness for writerly interventions.

I’d be irresponsible if I didn’t listen to Jade Blackwater, fellow Pennwriter and Philly expatriate, who recently pointed out the existence of popular rural-urban fantasy. Her first example was “Twilight.” Forks is no Manhattan or Chicago or St. Louis. It is (or, she says, at least was before the “literary tourism” kicked in*) a teeny, tiny, twenty-five-mph pass-through-in-a-blink logger town. All that existed prior to Twilight were some old original saw mills, a couple of greasy spoons, and some small rural homes.

Definitely not urban.

Another great example, she added, is M. Night Shyamalan, one of our own Philly hometown heroes, who did his share to keep Southeast PA at the top of the list of apparently creepy places to visit. Remember the film “Signs” and the yucky alien leg in the cornfield that you just had to pause and replay on quarter speed?

That’s right. Corn. Not urban.

Kind of made me feel a little bad, she did, for making fun of rural urbans. And to top it all off, a reader who saw the Martha Underfelder Koch book blurb didn’t realize it had been complete sarcasm and commented: hey! That sounds like a cool story! Has it been published yet?

Maybe it’s time to drop that pesky urban label, however kick-ass-admirable it may be. I don’t want to be the one to coin a new phase. (Jade can—she’s a lot braver than I.) Regardless, urban fantasy doesn’t have to be as urban as it implies. Darn those slippery shelves we call genres.

And, as it turns out, I may not have to settle for a rural-urban label anytime soon. I had pitched my agent with the genre paranormal chick lit—a genre I feel wonderful about because chick lit is one of the loopholey exceptions to the romance rules—and he is confident that it can sell as paranormal romance, after all. To top it off, if it’s any indicator of future success, I recently finaled in the paranormal category of a popular RWA contest. Looks like I’ve got a whole new genre to investigate now.

Sigh. There’s that bittersweet thing again.

*Jade provided some excellent links to info on the Twilight surge of literary tourism. See how a popular book can affect a dying town and give it a taste of immortality (bad puns intended):

Youth Looks Elsewhere — Logging Classes Are Given The Ax — Forks High School Teen-Agers Give Up On Declining Industry
September 3, 1990
http://community.seattletimes.nwsource.com/archive/?date=19900903&slug=1091142

Federal Aid To Help Lift Forks Out Of Economic Slump
January 12, 1994
http://community.seattletimes.nwsource.com/archive/?date=19940112&slug=1889254

Fans of “Twilight” vampire series pump new blood into Forks
July 27, 2008
http://seattletimes.nwsource.com/html/entertainment/2008075490_twilight270.html

Vampire tourism going strong in Forks
August 7, 2009
http://seattletimes.nwsource.com/html/travel/2009618933_webvampiretourism07.html

Maybe I *do* need to write about Schuylkill County, after all. It might do wonders for my property values. =)


From Writer to Author: How I Became a Secret Book Spy

October 14, 2009

When I picked up a stack of loose leaf and a Bic gel pen a few years ago, I didn’t suspect that a complete novel would actually leak its way out. I didn’t suspect that I’d keep at it long enough to complete anything I’d be genuinely proud enough to show anyone. And I certainly didn’t suspect I’d spend the next few years actually researching the business side of writing.

Back then, I was still a reader. For me, writing and business only collided when I bought someone’s writing at someone else’s business. I never thought past the big categories of MYSTERY, ROMANCE and SCI-FI/ FANTASY when it came to genre.

Writing a book drastically changes a reader’s perspective. You stop browsing in bookstores; you become part spy, part hunter, and sometimes part stalker. I used to pick books to read based on their cover art. No kidding. If it had a Michael Whelan cover, I read it. (It’s probably one of the reasons why Melanie Rawn’s books are so near and dear to my heart. And that painting of the Crimson King gives me warm fuzzy shivers, which undoubtedly is the polar opposite of the feeling Stephen King originally intended.) Such is the power of cover art.

However, once BLEEDING HEARTS was complete and began to find success on the contest scene, my thoughts turned to publication. I remember an entire day spent looking at websites and blogs, searching for the magic bullet that would get me from writer to published author in no time flat before realizing: there is no magic bullet.

Marketing takes serious research, tons of know-how, and all the right connections. Getting published would take more than a morning of Googling.

I dug in. I Amazoned myself a massive library of books on the subject. I printed reams of references from the internet and every time I found the answer to one question, I found a dozen links leading to a dozen more topics I hadn’t even dreamed about. Genre. Word counts. Queries. Agents. Editors. Imprints. And before I knew it, I’d become a Secret Book Spy.

It felt so dirty.

Bookstores became secret ops training grounds. Instead of reading the jacket blurbs, I read acknowledgements. I ignored cover art and went straight for the imprint logo. Instead of peeking inside to get an idea of how smooth a read it would be, I scanned the covers for reviews and awards and author blurbs.

Forget the story; I wanted to know about the book.

How depressing is that? I’m still a reader, for crying out loud. I have more friends in books than I do walking and breathing on the planet. I daydream about books I read in my youth, ones I lost as I grew older, ones I forgot the title or the author and have no hopes of finding again. Writing my book has tarnished my youthful book-reading innocence.

I proofread books when I read now. I try not to. It’s not just rude—it’s blatant ingratitude. My favorite authors slave away at their stories, and all of a sudden I’m a big know-it-all who could actually have the nerve to point out opportunities for improvement. I should be horse-whipped.

Luckily, I recognize when I get that way and I usually stop myself. I should start wearing a rubber band on my wrist and give it a snap to stop my undesirable behavior. Or a shock collar like my dog wears. That would work, too. But, I digress. . .

Months of spying lead me to a piece of intelligence that changed my life forever—I needed a partner, a go-to guy, a man on the inside. In short—I needed an agent. An agent would have the connections I needed to get my book published. An agent would have the links, the insight, the expertise on positioning my work and getting it to the market. And an agent would only be found by querying.

During my Quest of the Query, I realized that months of spying had failed in providing me the single-most necessary piece of intel: what genre did I write? BLEEDING HEARTS is fantasy with a love story, but can I sum that up in a single genre?

I’d soon find out the answer was anything but simple.

For me, the easiest-to-define distinction between genres was the broadest: literary verses commercial, although my initial reasoning was, in itself, flawed—I figured that literary meant “summer reading list” material. That, of course, isn’t true anymore, considering that Harry Potter now appears on the list of Books Children Must be Threatened Into Reading.

Genres don’t stop at mystery, sci-fi/fantasy, and romance, as I had assumed back when I was a reader. Oh, no. Genres split into categories and sub-types. (I remember reading over a list of category romance types for the first time and thinking: whew! Thank God I don’t write that. Oh, the bliss of ignorance…) Romance just didn’t fit well with a bittersweet ending, which, as a part of a three-book series, my first book has.

And fantasy didn’t simplify things, either. Once I began to research genres, I knew I couldn’t just slap a HELLO MY GENRE IS FANTASY label on the cover and send it off into the world because fantasy wasn’t quite specific enough for the manuscript. I quickly eliminated sub-genres like epic and high fantasy and took a breather at contemporary before deciding urban fantasy was a nice place to be.

Although paranormal covered the “weird” elements, I never saw the term paranormal fantasyparanormal has a BFF named romance and early on I didn’t really let my book hang out with either of them (never mind that the love story is central to the plot.) To complicate matters, the urban fantasies I read all had kick-ass heroines and gritty action scenes. My main character admits she’s no Lara Croft—she craves safety and security over risky and dangerous (just turns out the world has different plans for her.)

And so it was that the Secret Book Spy came up against her greatest nemesis: the best-fit genre for a book that best fits neither. (Too bad there wasn’t a super-cool gadget to get me out of this jam.) Deciding which genre to query under would take a lot more research.

The mission continues…Watch for my next article “Who Put the ‘Urban’ in Urban Fantasy?”


Spooky Stories, Poetry, and Prompts

October 5, 2009

Pennsylvania Pumpkins, Copyright © 2009 Jade Leone Blackwater

Joyous October Greetings, one and all!

Looking for some great Halloween stories?  Join me (Jade Leone Blackwater), Anita Marie Moscoso, and the writers of the Soul Food Café for a month-long celebration of the strange, spooky, and sordid at Once Upon a Midnight.

We’re sharing stories, artwork, poetry, video, and every other creation we can scrape together from mis-matched parts and charge with a few volts of inspiration.  And if you’re looking for inspiration, this is the place to be: we’ll be sharing Halloween-y writing prompts to help light a creative fire under your ghosty ass!

Join us… if you dare…


The Festival of the Trees 39: Hidden Among the Trees Online at Arboreality

September 2, 2009

Dinosaurs in the Redwoods, Copyright © 2009 Jade Leone Blackwater

The Festival of the Trees 39: Hidden Among the Trees is now online at Arboreality.  Visit this monthly blog carnival for stories, poetry, articles, essays, images, and more, all on the subject of secrets, trees, and forests.

To learn more about The Festival of the Trees, submit for the current Festival, or to volunteer to host future Festivals, visit The Festival of the Trees coordinating blog.


Intrigue and Insight with Robert Michalsky

March 18, 2009

Today our Featured Pennwriters Member is Robert Michalsky of Area 6.  Robert is our current candidate for the next Pennwriters Area 6 Representative, and I thought this would be a great opportunity to help us all get to know him better. 

Robert, thank you for joining us today and sharing a little about yourself! 

 

 

JB: First off, when I read your bio I perked up at the technical articles – personally, I have this strange love for structured writing.  Tell us a little about your career background in IT, engineering, and technical documentation.

RM: Hi Jade.  Thank you so much for giving me this opportunity to provide a brief insight into my background.  I find the world of Information Technology (IT) endlessly fascinating and hope others will also.

First off, I have spent way too much time near Universities.  I have an undergrad degree in mathematics, a Master’s in Computer Science and then threw in an MBA to confuse myself even further.  My professional life focuses on that point where business and technology intersect.  I am currently a senior staff engineer at Lockheed Martin supporting Federal Government system developments.

A large portion of my IT career has been in an analysis role and that has kept me writing.  White papers, proposals, IT conference papers, research summations, you name it and I wrote it.  Along the way, I published nine technical articles about the software development process and the performance analysis of computer systems. 

 

JB: I’m guessing that you share a least some of my affinity for highly-organization documentation.  Why don’t you tell us about your creative writing pursuits?  I understand you’ve taken a strong interest in fiction.

RM: A few years back, I desired to break free of the constraints of my non-fiction world and began to write a novel.  It is said write what you know and hence I set my story in a software firm and based the plot on something often heard in the news:  identify theft.

As anyone who attempts to write a novel will realize, there is a unique mix of art and science involved.  I was able to outline a story and generate 100,000 words, but realized the story arc, scene exposition and character development required work.  Since then, I have attended nine writing conferences and have built a personal library on novel writing.

I have just re-polished my first identity theft manuscript and am in search of an agent.  I also have a second manuscript complete on a blackjack card counting team and am at work on my third novel.

I am drawn to the long form of the novel and while I have thought about magazine articles or short stories, I continue to study the novel writing process.  I am currently reading “13 Ways of Looking at the Novel” by Jane Smiley.  She provides a historical context and gives me a deep appreciation of all those that came before our contemporary authors.

 

 

JB: I’d like to know more about your two completed manuscripts, could you give us a couple of synopses?

RM: My first is called ‘Trust and Betrayal’ and it features a female protagonist who is accused of stealing funds during software testing.  Our heroine Christine struggles to regain her dignity, her sense of identity and her life.  The company thinks the case is closed, but financial losses continue. 

The CEO is a hard-driving woman who has known only success in her career and sees the pending merger as her crowning business achievement.  The pressure mounts on the Information Security Manager who must find out who has infiltrated his previously secure computing environment – or else.

My second is called ‘A Loss of Innocence’ and it is a coming of age story about four college seniors who form a blackjack team under the tutelage of their statistics professor, who shows them that the game can be beat.  Early success draws them closer to the game and to each other.

Upon graduation, the team loses contact with Alex.  The professor taps into his network of contacts to probe what has happened to him.  As it turns out, Alex is now living the life of a high stakes player with dubious underground connections.  Steve has become employed by a Las Vegas based casino and must wrestle with the personal dilemma of monitoring and investigating his former friend.

 

JB: Secret agents, identity theft, blackjack… Tell us, are you one of Fleming’s 007 fans?  In all seriousness though, it looks like you’re drawn to intrigue and mystery: where you do you like to go for “research” on these kinds of subjects?

RM: While I am a fan of 007 and Sherlock Holmes and detectives in general, I find myself drawn to the world of technology and the stories which are sometimes called ‘caper’s in movies and thrillers in writing. 

One of the hardest lessons I learned through my agent interactions is that you have to be able to deliver an ‘elevator pitch’ – a thirty second description of your work and that always starts with the genre in which you are writing. 

Another helpful item is to compare your writing to others.  My two best examples are probably Tom Clancy and Michael Crichton.  Clancy excelled in the world of military systems and hardware and Crichton in the world of medicine and emerging technologies such as nano-technology, a world of super small entities.  I hope to do the same for computer technologies.

The technology may be interesting but you still have to tell a story in a compelling way with interesting characters.  That has been my challenge.

 

JB: Do you have any other writing interests besides fiction (and technical documentation)?

RM: I read constantly and have used Amazon multiple times to find ‘out of print’ books that someone has recommended.  I have looked at their Kindle and believe that reading devices such as that will become more and more prevalent over time.

As for writing, since I am immersed in e-mail at work, it can be hard to sit down evenings to write, but somehow once immersed in a fictional world, the words just fly.  I don’t get the same enjoyment from non-fiction since it feels too much like work!

I find constant inspiration for fictional scenes in my daily IT newsletter perusal.  Every day there are stories of new computer exploits and it is a short leap from the facts of a news story to a creative writing piece.

 

JB: Who/what are your greatest literary influences?  Are there certain writers who stock your “top shelves?”

RM: I have mentioned Clancy and Crichton.  Other contemporary authors I admire are Jodi Picoult, Jennifer Weiner and Stephen King.  In fact King’s ‘On Writing’ may be the best single reference on how to write a novel.

Picoult has a beautiful fluency to her writing and her literary fiction never seems to lose her focus on story.  Weiner draws great characters and I have laughed out loud at some of her scenes.

Weiner is local and another local gal who has a wonderful voice is Lisa Scottoline.  I heard her speak at a Writers Conference at Penn a few years back and I’m looking forward to her keynote at this year’s Pennwriters Conference.  She is a very motivational speaker and has a compelling personal story to tell when she began her writing career.

 

JB: What are your goals as a writer?

RM :I’m published in non-fiction but that means nothing to an agent.  My goal as a novelist is simple, to generate a series of compelling stories centered on the people in and around information technologies and – oh yeah – to get them published! 

My long range goal is to have a story be made into a movie and see that credit roll on by on the big screen.  I’ve looked at screenplay writing but realize I have more than enough to work on with novels. 

 

JB: We’re glad to have you as a Pennwriters member.  Tell us, why did you join, and what are some of your favorite benefits from the organization?

RM: Pennwriters has made me serious about becoming a published novelist.  I attended Susan Maiers’ Fiction writing workshop last year and heard first hand what it takes to become a professional writer.  In addition, her comments on my second manuscript and how to approach editing 100,000 words has been invaluable in refining my editing process. 

I have been to the last three conferences and have learned a wealth of solid, practical advice.  Meeting and talking with agents has led to an appreciation for the unique difficulties of the publishing industry.  Interacting with other writers has been encouraging in hearing their own stories of persistence.

At last years conference I met some local writers and that led to the creation of our West Chester PA Writers Group.  They have been invaluable as writing commentators and they continue to allow me to bring my fiction writing craft to a higher and higher level.

 

JB: I am glad you’ve volunteered to run for the Area 6 Representative role.  Want to take a moment to introduce yourself to our members and tell us what motivated you to volunteer for this position?

RM: I’ve lived in a closed professional environment for years, where company and government data often could not be shared.  To become a published novelist, I realize I need to expand my boundaries and generate even more interactions with my writing brethren.  I see becoming a rep as my chance to give something back to all those that have helped me along this writing road.  I would like to assist those moving along their road to realize their own personal writing dreams.

 

JB: And now, the words of wisdom: what advice would you give other writers?

RM: Maintain your perseverance.  I am currently going through the arduous task of seeking an agent.  Rejections continue to mount.  And yet, if my submissions cease, then indeed I will remain an unpublished novelist.

Foster personal interaction with other motivated writers.  That is exactly what is needed to polish your writing craft and allow each writer to achieve his/her own writing goals.

Finally, Stephen King was right.  To be a good writer, you need to be a good reader.  Immerse yourself in other perspectives, to see how others craft scenes to watch how others create compelling characters.  Writers should always be learning.  Reading can be that avenue.

 

JB: Thank you again for joining us Robert!  As our candidate in the running, I’m just going to go ahead and be presumptuous and say: we all look forward to working with you!

 

 


Surviving the Submission Guideline Gamut

February 27, 2009

When submitting a story to a journal for publication, C. M. Mayo writes in “Get Your Short Story Published”, do not explain the story.

“Explaining and introducing is blather, and it annoys most editors (the experienced ones skip over it and reach for the rejection notes).”

A great little pill of information. Who knew? Now at least I can count on the last round of subs for my fantasy story to hit the skids. One publication’s set of guidelines wanted a story blurb in the cover letter. I thought it looked spiffy and left it in for three others. Gah! Lies!

Just once I’d love to be blunt in my cover letter:

Dear Mr./Ms. Whydjamakeyournamesohardtofind,
I am relatively new to publishing, although not for lack of trying. I’ve been submitting to journals and querying agents for about nine months now. I handle rejections easily, which is a fortunate thing.

Enclosed is my short story, Self-Torture By Avoiding Self-Publishing. Please publish it and put me out of my guidelines-twisting misery.

A short bio is included below and the story is attached as a Word document.

Thank you for considering my work.

Perhaps my personal philosophy makes it so easy: if it can’t get you sued for malpractice, don’t sweat it. Maybe I’m just used to severe criticism (after months of using online critique communities) and now a form rejection simply isn’t enough to faze me. Who knows.

It’s not broken, so don’t think I’m going to break it more by fixing it. And yes, I read back over that last line twice and it’s exactly what I meant to say.

Rejections don’t bother me. Failure to achieve does. (Granted, I might run that part by my sister. She’s a Licensed Social Worker and is good at stripping away what I say to lay bare the wretched truth.) Rejections are fine. They don’t mean it’s no good. They only mean it’s not going into the journal.

Unless, of course, they pulled out the form that says, “thank you, try somewhere else, good luck”. That, friends, is a slammed door. Don’t call us. We’re not calling you. I haven’t gotten any of those, so therefore, I’ve nothing to be upset about. Most of the time the form rejections include kind invitations to submit my work again. Even if they are lies, they are the lies I can live with.

Of course, I attribute my fair fortune of form rejects to my adherence to submission guidelines, 90% of the time. Assembling a submission is as painstaking as an operation. Or, more aptly, a game of Operation, because the moment I bumble off the guidelined path I get that annoying ECCCKKKKZZZ! It’s the sound of FAIL. (At least if you nick something during a real operation, you don’t hear that awful noise.)

I view editors as live grenades that have failed to detonate, and I take their guidelines as their journal’s bible truth. Trouble is, after examining five or six different journals, I’ve begun to realize that every journal has their own bible. What suits one offends another, many guidelines are too vague for a hypercritical submitter like me, and some contradictions just flat out make a writer lose faith all together. Lies, I tell you.

Just tell me what you want. I’ll gladly deliver it. Just don’t allow me to sabotage my submission.

Because in the first six months of submitting my work, I sabotaged myself. A lot. Granted, not all of what I sent out was of publishing quality. That’s okay, too. I never took a class or a workshop on submitting work. (Just about everything I learned, I learned on-line and we all know the Internet is full of mischief and lies.) I’m growing as a writer. Those early works have either been refined or retired. Those rejections, with the exception of one, were polite form responses.

The one exception coupled their invitation for future submissions with a comment of why the work was rejected, a comment that merely defined the slush reader’s personal taste. I’ve read the comment several times, in several different moods, trying to find something redeeming in it. Alas. It was, in a word, unprofessional.

Without launching a diatribe, suffice it to say I’m not submitting to them again, not because I fear their condemnation, but because I reject them. This is a two way street. I don’t want to work with someone like that, not when I am taking care to be professional and amiable and a pleasure to work with.

I reject them because this early in our business relationship, I need to be lied to. Please, editors and slush readers, let me believe you operate on higher aesthetic sentiments. We haven’t been together so long that I can weather the harsh truth. At the very least, make your opinion bearable. Even my ten-year-old understands those basic tenets of new friendship. Sheesh. FAIL.

Send the form rejection. Period.

Over the last few weeks, I’ve earned my first acceptances. I placed two poems and a story, in print and electronic journals alike, and two of them paid enough to count as credits toward the requirements for becoming a published member of Pennwriters. Last night someone asked what I was paid for my last poem. I crowed. “Point-three-seven cents a word!”

That little spark of glory makes taking up the gauntlet of the Guidelines Gamut completely worthwhile.

And yes, I read back over that last line twice and it’s exactly what I meant to say.

C. M. Mayo’s story appears in Get Published, a supplement to The Writer magazine. Visit writermag.com for more information. A similar article appears on Ms. Mayo’s web site.


Virtual Book Tour: stop # 7 (or 8, maybe)

January 28, 2009

Since I’m doing a virtual book tour, I guess I might as well include Pennwriters Area 6. It’s been a while since I’ve been here. My book tour is going well, I’ve guest blogged at about 7 or 8 blogs now. I have no idea if this experience has given me any extra exposure, but it is relatively easy to do. Easy, that is, compared to actually touring.

The reason I’m virtual book touring is to support the launch of my interactive novel, The Textile Planet. I’ve got 6 chapters “out there,” so far. Number 7’s going up this weekend, and in fact the whole ebook is rolling out sometime in the next few weeks. I’m in the process of seeking advanced reviews for that.

Read the rest of this entry »


A General’s Christmas Carol By Larry L. Deibert

January 3, 2009

Greetings Area 6 Members!

First, please join me in welcoming yet another new member to Pennwriters Area 6: Larry Deibert. Larry submitted the following Christmas story in advance of the holidays, but yours truly (as in, me, Jade Blackwater) got bogged down with the Christmas spirit and failed to post in time. Better late than never, right?

Please enjoy the following selection written several years ago by one of your fellow writers, with our belated Christmas wishes for peace on earth, and good will toward all creatures of all persuasions.

* * *

A General’s Christmas Carol

By

Larry L. Deibert

The men were exhausted. After three weeks of patrolling, enduring nearly unbearable heat, insect bites, snipers, and booby traps, they were ready to celebrate Christmas with three days of rest. In about two hours, they would be at the landing zone, where choppers would pick them up and return them to Firebase Terry. The men could then enjoy hot food, hot showers and the comforts afforded the men who lived inside the wire for most of their tours.

Lieutenant Edgar Stone, with six months of combat experience, halted his men for a ten-minute break. As he consulted his map, he called up his three best men: men who had been in Vietnam longer than anyone else in the platoon.

SP4 Johnny Johnson, who carried the M-79 grenade launcher, known as the Blooper, had less than sixty days to go on his tour. At nineteen, he was the ‘oldest’ of Stone’s men. He had seen enough combat to last him a lifetime. He sat down on the ground next to Stone and wiped his brow.

SSG Hector Nieves, a career soldier, with ten years in, at the age of twenty-nine, was the platoon sergeant. He sat down on his helmet on the other side of his lieutenant. Hector would be going home in seventy-two days.

A minute or so later, SP4 Myron Rendish arrived. The twenty-year old machine gunner and platoon prankster seemed to always have a smile etched on his face, even during the stress of a firefight. Myron would be returning to ‘The World’ in eighty-eight days.

Lieutenant Stone said, “Men, the choppers will pick us up in a couple of hours. The map shows the LZ about two kliks away, but the only way to get there in time is to cross the stream. My instincts tell me to take the long way around…”

Rendish interrupted. “Sir, if we take the long way around, there’s a good chance we’ll miss our ride and might have to hump all the way back to Terry. The platoon is beat up pretty bad.”

Johnson agreed with him. “LT, I am plumb wore out and I need to get back to Terry ASAP. I think we should cross. Shit, we haven’t seen any signs of gooks in the past five days. I think we’ll be okay.”

Nieves nodded his head in agreement. “JJ and Myron are right, sir. The rest of the way should be a cakewalk and we all want to be inside the wire on Christmas.”

Stone still had doubts. He trusted his men and weighed their opinions before making a decision. He looked back to his weary, under strength platoon, then back toward the stream and the jungle. The LT even looked up as though seeking advice from God, but ultimately, it was his decision to make. He was tired as well and wanted to get back to the firebase as soon as possible.

“Okay, men. We’ll take the shortcut through the stream and jungle, but don’t let your guard down. Charlie could be out there somewhere, just waiting for us to screw up.”

Stone hoped he wasn’t making a mistake. Seven of his men had already been evacuated due to the elements and the enemy, fortunately with no deaths. He didn’t want to lose any more. It was nearly impossible to get replacements, but he would push hard to get more men as soon as they reached Terry.

The twenty-two men of 1st Platoon, C Company, 29th Infantry Division got to their feet. A few minutes later, they waded into the leech-infested stream twenty-five miles northwest of Saigon. Many of the men smiled with relief as the waist high water helped to cool their overheated bodies.

Suddenly, a heavy volume of fire pinned them down in the stream as Stone directed his men toward the edge of the jungle. Rendish sprayed the area with hundreds of bullets from his M-60. JJ popped 40-millimeter rounds into the trees, sending thousands of pieces of shrapnel into trunks and branches. Many pieces cut through the leaves and the humid air and into the bodies of enemy soldiers. He was rewarded with screams of pain and the sight of dying NVA.

They fought for their lives for about five minutes, an eternity in combat, until they were finally able to form a defensive position at the edge of the jungle. Four of Stone’s men lay dead in the murky water. With the stream at their rear and the jungle to their front and flanks, the twenty-three year old lieutenant orchestrated the firefight, directing his men. He barked out orders.

“Vinnie, Tom and Rick! Take the left flank and get behind them!”

Stone looked to his right and yelled, “Jack, Orville and Larry, get around them on the right and put a hurting on the bastards!”

After he issued those orders, he called his radioman over.

“Plantation One, this is Plantation Six. Over.”

After three attempts, headquarters responded. “Plantation Six, this is One. Go.”

“One, Six. Be advised we are in heavy contact and need gunships. Number of NVA unknown. I have dead and wounded.” He gave the map coordinates and said, “Hurry, One. I don’t know how long we can hold on!”

“Roger that, Six. Cobras and slicks airborne. They should be over you in forty minutes” The radio operator then added, “Hang in there, LT.”

“10-4, One. We’ll be home soon. Have beer ready.” A wry smile crossed his face as he wondered if they would indeed get home.

Stone watched his men as they made their way into the jungle. When a bullet grazed his cheek, he flattened out in the mud and fired two clips into the vegetation. Stone smiled when he heard a scream.

They battled the NVA for nearly forty-five minutes, desperately low on ammo. Stone then heard the humming of multiple rotors. The choppers plastered the jungle with miniguns and rockets until the enemy broke contact and disappeared into the depths of the jungle.

At the end of the firefight, Stone’s command was reduced to fourteen men. Seven survivors were airlifted back to a field hospital. Eight of his men had died on the jungle floor or in the stream. After the wounded and the dead were gone, Stone and the remainder of his men re-crossed the stream to the waiting choppers.

**

Stone loathed Christmas because three of his men died that day. The doctors thought they would survive, but their conditions deteriorated. They died in a field hospital in Vietnam and the only ‘family’ with them was Edgar Stone, the man they fondly called LT. He prayed to God for hours to save them, but his prayers went unanswered.

**

The general walked the brick pavement. He knew the memorial was huge, but its magnitude did not hit him until he was actually there. Small lights lit the black granite, mirroring his reflection as he passed by. Between the bricks and the granite were gifts left by previous visitors; cans of beer, packs of cigarettes, pictures and letters, small American flags.

No one was in sight at this time of day, and the absolute quiet was perfect for him to reflect upon his past.

When he arrived at the panel bearing his men, he knelt down on the bricks and touched the names of the eight KIAs from that day, asking their forgiveness for not getting them out of the battle alive. He placed one set of his two stars at the base of the panel, rose to his feet, and after assuming the position of attention, saluted those fallen heroes. It was hard to remember their faces after all these years, but memories were beginning to flood his mind. Stone could now see them in his mind’s eye-young and full of life-but now they were names on a black wall.

He moved to the next panel and looked at the names of the men who died on Christmas Day.

Specialist Fourth Class Johnny Johnson, from Gainesville, Georgia, was the first name he saw. A smile came to his face as he remembered his ‘blooper’ man. JJ, as he was called, was the absolute best with his M-79, popping the 40-millimeter rounds and dropping them anywhere the men wanted them. His uncanny accuracy saved Stone’s bacon twice. JJ fired the heavy rounds into NVA and VC in close combat.

Before he died, he said to Stone, “LT, I’m sorry I let you down in that last ambush, but I plumb ran out of rounds as that gook came at me with a bayonet.”

Stone wiped tears from his eyes and replied, “JJ, you were so brave, and I will never forget you. Ever!”

As those words left Stone’s lips, JJ closed his eyes and drifted into eternal sleep, as the LT wept for the man he loved like a brother.

Out of all the letters he had to write for that battle, the one to Vivian Johnson was the most difficult.

He reached up and touched JJ’s name, his fingers lightly resting on the engraved letters. After a moment, he pulled his hand away, came to attention and saluted his ‘brother’. He then placed a dummy M-79 round at the base of the panel.

The next name was Staff Sergeant Hector Nieves, from Altoona, Pennsylvania. Hector left a wife and two sons to carry on without him.

As platoon sergeant, he was a stickler for detail. When his men set in for the night, he checked every defensive position, making sure the men had all their gear in order and their weapons cleaned. Hector had chosen the army as a career to impart all of his military wisdom and savvy to new guys in Vietnam, to give them all a better chance to survive.

He was a devout Catholic and as he prepared to die, he gave Stone the Bible he carried with him at all times. Stone placed the bloodstained Bible at the base of the panel and saluted the brave man’s name.

Last was SP4 Myron Rendish, from Grand Rapids, Michigan. His parents and three brothers survived Rendish.

He was the M-60 gunner and he carried the heavy weapon much like the other men would carry the light M-16 rifle. He was 6’3” tall and 225 pounds, all muscle. He was also the platoon prankster who pulled one every chance he could, to keep everyone loose.

The general smiled, remembering one prank pulled on him when they were in the firebase to rest. While Stone slept, Myron squirted shaving cream into his lieutenant’s open hand. Then he ticked his face, chest and stomach with a feather. In his sleep, Stone reached up with his hand to brush away the annoying tickle. When he awakened, he found himself covered with white foam, while several of his men laughed like hyenas. He dressed Myron down and had him drop for twenty pushups. After his men left the hootch, Stone giggled so hard he could hardly breathe.

He touched Myron’s name and placed a can of shaving cream beside the other ‘gifts’. Major General Stone saluted his machine gunner, and then took two steps backward.

Stone knelt down and reached into a pocket of his field jacket. He pulled out a nine-millimeter pistol and placed the end of the barrel to his right temple. A moment before he was going to pull the trigger, he saw his men as they were in ‘Nam.

JJ, Hector and Myron stood in front of him, much like Scrooge’s specters. Stone blinked his eyes, but his ghosts of Christmas past were still there. JJ walked toward him and said, “Don’t do it, LT! You are going to receive a wonderful gift very soon.”

He heard Hector and Myron saying, “No! No!”

Their voices were replaced by a feminine voice, screaming, “No! No! Don’t do it!”

A soft hand rested on his shoulder as he took the pistol away from his temple.

Stone stood up and looked into the eyes of a beautiful middle-aged woman. She was holding a gift to leave at this hallowed place. As he stared at it, he saw that inside the frame were two small pictures and a letter. He looked back at the woman and asked, “May I please see what you are leaving here today? My eyes are not as sharp as they once were and I forgot my glasses. I need to see the pictures up close. Something about the two men looks familiar.”

Hesitantly, she handed her gift to the general, who held it closer to his eyes. Stone saw JJ and his wife posing after their wedding. The other shot was of him and JJ before they went out on that last patrol. He read the letter:

My dearest JJ,

Today I am visiting the memorial for the first time. Several nights ago I awakened with the feeling that someone was standing in our bedroom. In the moonlight, I saw the shadow of a man. Startled, I turned on the light, but saw no one. I scanned the room and saw our wedding picture lying on the floor, along with the picture of you and the other soldier. I believed it was you who had been standing there.

I knew you were telling me something, and I had the feeling I had to be here today, the day you died. When I looked at the clock on the nightstand, I saw it was 3:30 AM.

I put the photos and the letter inside a frame and brought it here, but I still don’t know why.

I love you,

Vivian.

General Stone looked at JJ’s wife and with a voice fraught with emotion, said, “Mrs. Johnson, I am Major General Edgar Stone, the other soldier in that photograph. I was your husband’s platoon commander in Vietnam and I am the one responsible for his death. I am so very sorry.” His head slumped to his chest and he wept.

When he regained his composure, Vivian opened her arms to him. They hugged and she said, “There is no need to be sorry, general. His death was not your fault. JJ wrote often and told me you were the best leader a platoon could have.”

They cried in each other’s arms for a long time. Afterwards, Vivian placed her gift at the base of the panel next to Stone’s gifts. She touched and kissed her husband’s name, and then she started to walk away.

General Stone hurried after her and inquired, “May I buy you a cup of coffee and talk with you awhile? I need to tell you how much I loved JJ and how he saved my life.”

She smiled and nodded her head.

As they walked away, they never saw the eleven men in jungle fatigues hugging one another before they were drawn back into ‘The Wall’.

#     #     #

Thank you, Larry, for sharing your work!

Are you a Pennwriters member in Area 6 with something to share? This blog is your venue: contact me today to share your work at the Pennwriters Area 6 HQ.

© 2009 Larry L. Deibert